Catalogues
Joyce J Scott: Walk a Mile In My Dreams (2024)
Joyce J. Scott: Walk a Mile in My Dreams (2024) is a 50-year career retrospective of artist Joyce J. Scott, one of the most significant artists of our time.
Co-organized by the Baltimore Museum of Art and Seattle Art Museum (SAM), this exhibition was developed in close dialogue with the Baltimore-based artist and her collaborators to reveal the full breadth of Scott’s singular vision through more than 120 objects from public and private collections across the United States. The exhibition will feature significant examples of the artist’s sculpture—both stand-alone and wearable pieces—alongside performance footage, garments, prints, and materials from Scott’s personal archive. Joyce J. Scott: Walk a Mile in My Dreams also features a newly commissioned installation and an expansive catalog.
Ransome: Upsouth Reflections on the great migration (2023)
Ransome Upsouth Reflections on the Great Migration. Publication date: March 24, 2023, with foreword by Jacqueline Lake-Sample & Stephen J. Tyson, essay by Angela N. Carroll, and historical context by Dr. Winston Grady-Willis
36 pages, 9.75 x 9 inches, full color
Mehari Sequar Gallery: Asha elana casey- traces of the spirit
Mehari Sequar Gallery: Asha Elana Casey - Traces of the Spirit Catalog (2022)
The focal aspect of her work is the immortalization of Black diasporic stories. When approaching creation or curation, she leans on her artistic and educational experience and acts as facilitator.
Columbia University - Macy Art Gallery: Vocoder Exhibition
VOCODER (nov 1-19 2021), The Art and Art Education program at Columbia University presents an exhibition curated by Doctoral student, Charles Moore. This exhibition analyzes and synthesizes the importance of the human voice through abstract art.
Frederick Douglass Myers Museum Kibibi Ajanku: Indigo Pathways catalog
Rena Bransten Gallery Sydney Cain: Dust To Dust (2021)
The works in Dust to Dust, which comprise this exhibition are Cain’s excavations into memory and liminal spaces. Their creation includes an intuitive sifting, rubbing, and erasing of black pigments and metals to reveal personal mythologies which exist beyond mainstream and colonial narratives in a process that is as much an investigation as a manifestation.
National Museum of Women in the Arts. Reclamation: Recipies, Remedies, Rituals (2021)
RECLAMATION: Recipes, Remedies, and Rituals curated by Melani N Douglass, is a new participatory online exhibition featuring nine interdisciplinary artists. Conceived as a virtual experience that re-contextualizes the traditional role of women in providing sustenance and healing, RECLAMATION will also feature content submitted by the public, interwoven with the artists’ work.
RECLAMATION is an evolving online exhibition and ingredient archive that examines food as a creative medium for visual art and a connective tool for exploring intergenerational and intercultural experiences.
Baltimore Museum of Art Mickalene Thomas: A Moments Pleasure (2020)
Mickalene Thomas: A Moments Pleasure is the official catalog for Mickalene Thomas’ immersive two-story installation that transforms the BMA’s East Lobby into a living room for Baltimore reflective of Thomas’ signature aesthetic influenced by 1970s and 1980s motifs. The experience–the most expansive commission undertaken by both the artist and the BMA—extends onto an enclosed terrace, where Thomas has curated a presentation of works by artists with ties to Baltimore. Featured artists include: Derrick Adams, Zoë Charlton Theresa Chromati, Alex Dukes, Dominiqua S. Eldridge, Devin N. Morris, Clifford Owens, and D’Metrius John Rice.
Saint Heron: Cassandra Press (2022)
Alongside a digital installation showcasing the press’ signature readers, CASSANDRA Press: Records of Truth and Prophecy salutes CASSANDRA Press's impact of marrying revolutionary philosophy with culturally apropos sensibilities.
African Heritage cultural arts center Morel Doucet: White Noise (2019)
"White Noise: Let the choir sing a magnified silence," is made up of 25 figurines with organic elements and commodities for heads. All are mouthless and demurely seated, suggesting humanity's collective passivity and unwillingness to take action or change. (link ref magazine reprint of catalog exhibition essay)
Black Artist Research Space (BARS) - Carryin’ On… Creative Practice for Sustaining Black Life (2020)
Carryin’ On… is a timely collection of interviews, literary works, and visual art from 15 national and international Black artists, activists, and creatives. Black Artist Research Space asked each individual the following question in 2020, during the height of racial unrest and a global health pandemic: What are the key points your creative practice draws from that connect to the existence, survival, and future of Black lives? For Black Artist Research Space, the guiding intention was to unearth and directly document how the creative work of Black people centers the individual and/or communities to which they belong and furthermore show how one’s work supports the perseverance of Black lives. Posing a question that centers Black individuals and communities automatically creates space for honoring and autonomy, however this turned out to not be the sole function of the question.
Nerman moca Ronald Jackson: Pulse (2018)
Pulse addresses the extraordinary range of artists utilizing the figure to express social, political, and personal content. It includes a diverse group of artists and painting approaches, and it will also showcase recent major acquisitions. The Nerman Museum’s permanent collection contains numerous important figurative works and this exhibition extends our recognition and support of artists employing the human figure as inspiration. Additionally, it encourages critical discourse between the first-floor exhibition and second-floor permanent collection galleries.
CueArt Foundation Peter Williams: With So Little To Be sure of (2018)
CUE Art Foundation is pleased to present a solo exhibition by Peter Williams, curated by Larry Ossei-Mensah. Titled With So Little To Be Sure Of, the exhibition features a series of oil paintings, drawings, and a mixed-media installation that confronts viewers with the traumatic reality of systemic violence towards African Americans.